Other well known singers that used G-funk were Nate Dogg, the Dove Shack and the Twinz. When Dre's 1992 Death Row Records debut The Chronic was released, the album was immensely successful, and consequently made G-funk the most popular sub-genre of hip hop.Īnother early G-funk pioneer, also from Compton, was rapper and producer DJ Quik, who was already using P-Funk instrumentals as early as 1991 in his debut album Quik Is the Name, though his most recognizable G-funk album would be 1995's Safe & Sound. It was Kokane who appeared on the Deep Cover soundtrack with a song that was produced by Cold 187um called Nickel Slick Nigga, there was a video done for & a remix of the song was done by Dr.
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Dre's first true G-funk single, however, was 1992's "Deep Cover", the title song from the movie soundtrack of the same name, which also introduced Snoop Dogg to the world. Dre's work appeared on N.W.A's single "Alwayz into Somethin'" from their 1991 album Efil4zaggin. The earliest use of sine wave synthesizers and Parliament-Funkadelic-style bass grooves in Dr. On Snoop Dogg's Doggystyle album, Warren G and Daz Dillinger claim they produced "Ain't No Fun", even though Dre is credited as the album's sole producer. Warren G and Snoop Dogg were with Cold187um before joining Dr. They both released records on Ruthless Records prior to this. Dre did not credit the group for pioneering the style when he released The Chronic, his Death Row debut album.
Dre is generally believed to have developed the sound, but Cold187um and KMG of Above the Law have claimed that they originated the sound. There has been some debate over who should be considered the "father of G-funk". Too Short's lazy, drawl-heavy delivery was also a major influence on later G-funk superstar rappers like Snoop Dogg. However, unlike Bay Area Mobb music, Southern California-born G-funk used more portamento synthesizers and less live instrumentation. Too Short had experimented with looping sounds from classic P-Funk records over bass heavy tracks during this period. This enabled him to produce music that had his own sounds, rather than a direct copy of the sample.'Īlbeit G-funk was birthed in Los Angeles, the popular sub-genre drew a large amount of influence from the earlier Bay Area-based sound known as Mobb music of the mid to late 80s pioneered by legendary Oakland rappers like Too Short. Dre, a pioneer for the G-funk genre, normally uses live musicians to replay the original music of sampled records. Music theorist Adam Krims has described G-funk as "a style of generally West Coast rap whose musical tracks tend to deploy live instrumentation, heavy on bass and keyboards, with minimal (sometimes no) sampling and often highly conventional harmonic progressions and harmonies". Unlike other earlier rap acts that also utilized funk samples (such as EPMD and The Bomb Squad), G-funk often utilized fewer, unaltered samples per song. There was also a slurred “lazy” way of rapping in order to clarify words and stay in rhythmic cadence. The lyrical content depended on the artist and could consist of sex, drugs, violence, and women, but also of love for a city, love for friends and relaxing words. G-funk (which uses funk with an artificially altered tempo) incorporates multi-layered and melodic synthesizers, slow hypnotic grooves, a deep bass, background female vocals, the extensive sampling of P-Funk tunes, and a high-pitched portamento sine wave synthesizer lead. G-funk, or gangsta-funk, is a sub-genre of hip hop music that emerged from West Coast gangsta rap in the early 1990s. Gangsta Rap, P-Funk, West Coast Rap, Funk, Urban Funk, R&BĮarly 1990s, Los Angeles, California, United States